WELCOME!

Brooklyn Potters gathers members into a community to enhance shared aesthetic and technical interests in the clay arts. Interaction and exchange is facilitated between clay artists as well as with the general public of Metropolitan New York through exhibitions, lectures, discussions, workshops, publications, conferences, studio visits and art making activities as well as regularly scheduled membership meetings.

Thursday, April 23, 2015

WOOD FIRE in Cold Spring NY

Hello Wood-fire Enthusiasts,

I'm now accepting reservations for participation in the June wood-firing of my Anagama/Noborigama kiln in Cold Spring, NY.

Please RSVP and see attached June Wood-fire Announcement, 2015 Firing Dates, Firing Fee Forms, Recommended Clays and Directions.

JUNE DATES ARE:

Load -- Sat June 20 & Sun 219am
Fire --   Thu June 25 thru Sat June 27.
Take down doors -- Thu July 9, 10am
Unload – Sat July 11, 10am

SCHEDULE:

Load: 9 amSat June 20. (Loading all day)
           9 amSun June 21. (Continue loading until finished)

Fire: 8 amThu June 25 until midnight Sat June 27. (3 days)

Shifts: 8am to 4pm4pm to 12am12am to 8am thru midnight Sat June 27.

Unload: 10amSat July 11.

Fee: 9 cents per cu. inch.

Clay: CONE 10 CLAY ONLY.

Glazes:
Raw clay body or stable wood-fire cone 10-12 glazes. Cone 10 Shino's strongly recommended and supplied. Other glazes for liner glaze only, otherwise they will run and damage the shelves.

Shift Schedules:
Two people per 8 hr shift, or part of a shift, or if you are not available for shifts your work can be fired for you. Supervision and instruction given at all times.

More specific information about the stoking shift & glazing schedule once you sign up.

*Please visit us on Facebook to view images of the April firing and to like and post images and comments about our recent firings. If you have some great pieces, please post those.  

Look forward to hearing from you for another productive season of wood-firings. Happy making.

Best,
Tony  

Monday, April 20, 2015

From Ed Huml.- Empty Bowls Benifit

April 15, 2015
 
FOR IMMEDIATE RELEASE: Empty Bowls Bay Ridge 2015 event on May 2nd to raise funds for local community food pantry.
 
Bay Ridge – Empty Bowls is set to return to the Bay Ridge community for it’s third annual event on Sunday, May 2th from 12 to 5 pm at the Fourth Avenue Presbyterian Church, located at 6753 4th Avenue, in Brooklyn.  The Empty Bowls Bay Ridge Project is part of a grassroots movement by artists to end hunger in local communities throughout the nation. In Bay Ridge, local potters and artists have worked with the community to create dozens of unique, handcrafted ceramic bowls.  “I realized that in our own neighborhood, there are many families that don’t have enough to eat, “ said Ed Huml, co-organizer of the event. “Being an artist and potter and having grown up here, I knew organizing this kind of fundraiser would be a way we could help.”
 
The beautiful, one-of-a-kind bowls will be on sale for $25 each at the Empty Bowls event on May 2nd.  All proceeds from the sale of the bowls will benefit the Community Food Pantry at the Fourth Avenue Presbyterian Church, which helps hundreds of hungry people in Bay Ridge and Sunset Park.
 
“The partnership with the Empty Bowls Project is one artful way that our neighborhood can join together to extend a hand of compassion to those who are in need,” says Pastor David Aja-Sigmon.  “Without such help we would not be able to serve the homeless, working, poor and fixed-income seniors of all backgrounds that regularly come looking for help.”
 
In addition to the sale of the handcrafted bowls, there will be activities for children and refreshments.  Musical entertainment will be provided by local musicians/groups The Children’s Chorus of Bay Ridge, Secretly Famous, Bob Other and Valerie Gates & Friends. 
 
The Empty Bowls Project is a successful nationwide model for allying artists and communities to fight hunger.  The symbol of an “empty bowl” reminds us of the many people in the world who have an empty bowl – and essentially, not enough food to survive – every day of their lives.  Events like this have now taken place across the country and abroad, raising many millions of dollars that have been donated to hunger-fighting organizations.  
 
Contact:  email: Emptybowlsbr@gmail.com
phone:  Ed Huml, co-organizer : 718.781.5651
or Danielle Bullock, co-organizer: 347.495.1472
 

Thursday, April 9, 2015

BWAC Call for Entries - 3rd Annual National Juried Ceramic Sculpture Exhibit



Call for Entries
3rd Annual National Juried Ceramic Sculpture Exhibit
October 3rd – October 25th, 2015
Origins  invites you to risk stepping outside of what is expected of works in clay.  It evokes visions that are traditional, experimental, and everything in between.

Juror: Judith Schwartz - Associate Professor in the Department of Art and Art Professors at New York University, where she directs the Sculpture Craft Media area and teaches courses in ceramic art. She publishes in both national and international journals, and has curated numerous exhibitions including Confrontational Clay, which was on national tour through 2002.
“Clay may start out soft,” says Judith Schwartz, “but in the right hands it can deliver a hard blow.” She wants people to think of clay as more than ceramics with functional vessels or charming knick-knacks.
Important Dates:
June 1st - Early Bird submissions deadline – must be received by 11:59pm, June 1st, 2015
June 15thOn Time submissions deadline – must be received by 11:59pm June 15th, 2015
June 30thLate submissions deadline – must be received by 11:50pm June 30th, 2015

Submissions are on-line only at: https://client.smarterentry.com/bwac.
All images must be in .jpg file format only.
$850 in Cash Awards:
Gold -- $500 cash prize
Silver -- $250 cash prize 
Bronze -- $100 cash prize

Five (5) Certificates of Merit will also be awarded.
All award selections will be made by the juror. Awards will be presented at the Opening Reception, Saturday, October 3rd, 2015.
Juror:
Judith Schwartz co-chairs conferences and has juried numerous national and international exhibitions. Dr. Schwartz lectures frequently on contemporary ceramics to museums, professional conferences and art fairs. She is the former President of Watershed Center for the Ceramic Arts, serves on the board of Studio Potter, and is an elected member of the International Academy of Ceramics. She also serves on the board of the International Museum of Ceramic Art at Alfred University.

Eligibility:
This is a national juried exhibition for artists 18 years of age or older working in clay. All artwork must be original in concept, design and execution. All work must be handcrafted by the artist from raw clay. Acceptable forms include sculpture, sculptural vessels, wall hangings and installations. The artwork cannot be functional -- production work and commercially manufactured pieces are not acceptable. Mixed media is acceptable as long as clay is the dominant component of the piece (at least 75%).
The size and weight limitations are as follows:
Wall hung pieces should not exceed 6 feet in any direction;
Sculpture should not weigh over 300 pounds;
Installations should not weigh over 500 pounds.

Only original works may be submitted.

Oversize Work, Assemblages and Installations are welcome at the discretion of BWAC, but must meet all other specifications and be delivered, installed and removed by the artist upon arrangement with BWAC staff.

Display possibilities include: pedestals, walls, hanging from the ceiling or as installation.


ALL WORK MUST BE FOR SALE.
Fees:
Early bird submissions – June 1st - $45 for up to five (5) images plus $5 for each additional image.
On Time Submissions between June 2nd and June 15th  -- $55 for submission of up to five (5) images, plus $5 for each additional image.

Late Submissions between June 16th and June 30th  -- $65 for submission of up to five (5) images, plus $5 for each additional image.


All entry fees are non-refundable.
Sign Up Now!

Judging:
Final judging will be on-site.  Entries that differ significantly from their digital images may be rejected.  Decision of the judge is final.

Acceptance:
Notification of acceptance of work will be made via e-mail by Monday, August 17th, 2015.

Delivery of Accepted Work:
Work must be hand-delivered. All exhibiting artists, or their agents, must assemble/ install/hang their work. Work should be brought to BWAC at 499 Van Brunt Street, Red Hook Brooklyn on one of the following dates: Thursday, September 24th from 4 pm to 8 pm, Saturday, September 26th from 11 am to 4 pm, or Sunday, September 27th from 11 am to 4 pm. Spaces will be assigned.

Sales and Commissions:
All work must be for sale. BWAC will retain a 25% commission on all exhibition sales. The price represented on the artist entry form will be the sale price. No changes will be allowed. Sold works will remain until the end of the exhibition.

Removal:
Artwork must be removed by the artist or agent on one of the following dates: Thursday, October 29th 4 pm to 8 pm, Saturday, October 31st, 11 am to 4 pm, or Sunday, November 1st, 11 am to 4 pm. Any work not removed during these specified times will be disposed of at BWAC’s discretion. 

Liability: 
BWAC is not responsible for any damage, breakage, replacement or cost associated with any damage or breakage that may have occurred during transport or unpacking. Every precaution will be taken in handling the entries, but BWAC assumes no liability for any loss or damage to any artist’s work while in our care, custody or control, before, during or after the exhibition. Each artist, if they wish, needs to provide their own insurance.

Use of Images: 
Any image submitted may be used for marketing and promotional purposes directly related to this show. This use may include publication in any publications, printed materials, advertisements, or electronic media. Copyright and all other rights remain that of the artist.

Contact/Questions:
Please direct all questions to artinclay@bwac.org

Entry Agreement:

With the submission of artwork into the BWAC Art in Clay III: Origins show, the artist agrees to all the terms and conditions set forth in this prospectus.